{"id":11322,"date":"2021-07-16T16:13:38","date_gmt":"2021-07-16T19:13:38","guid":{"rendered":"http:\/\/filmambiente.com\/?page_id=11322"},"modified":"2023-09-01T09:07:16","modified_gmt":"2023-09-01T12:07:16","slug":"filmambiente-3","status":"publish","type":"page","link":"https:\/\/filmambiente.com\/en\/filmambiente-3\/","title":{"rendered":"Filmambiente 3"},"content":{"rendered":"
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Filmambiente 2013 | August 30 - September 5 | Rio de Janeiro<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Awards<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tPEOPLE\u2019S CHOICE went to Oro Impuro (Disturbed Land, Fernando Solanas | Argentina) with 78% of votes on excellent. Os Chef\u00f5es Piraram <\/strong>(Big Boys Gone Bananas, Fredrik Gertten | Canad\u00e1) com a vota\u00e7\u00e3o de 83,78% dos votos para \u00d3timo Filme.
<\/br>\n\nBEST SHORT to Irish Folk Furniture (Tony Donoghue | Ireland) for its inventive and original tackle of the theme, using stop motion to give life to the recycling process. Vila no Fim do Mundo <\/strong>(Village at the End of the World, David Katznelson | Reino Unido), foi escolhido porque, com uma perspectiva otimista, faz uma cr\u00f4nica do dia a dia de um vilarejo amea\u00e7ado de extin\u00e7\u00e3o, deixando \u00e0 mostra muitas quest\u00f5es relacionadas ao meio ambiente, mas sem impor uma maneira de pensar ao espectador.
<\/br>\n\nBEST FEATURE LENGTH to Village at the End of the World (David Katznelson | United Kingdom), for its optimistic perspective chronicling the everyday life of a small town threatened with extinction, revealing many environmental related issues but without imposing a point of view. Mob\u00edlia Irlandesa<\/strong> (Irish Folk Furniture, Tony Donoghue | Ireland) pelo tema original e inventividade na forma ao escolher a t\u00e9cnica de stop motion para dar vida ao processo de reciclagem.
<\/br>\n\nSPECIAL AWARD for the short Faces (Said Najmi | Jordan) for the sensible way it portrays human choices. Faces <\/strong>(Faces, Said Najmi | Jord\u00e2nia) pela maneira sens\u00edvel como retrata as escolhas humanas.
<\/br>\n\nSPECIAL AWARD to feature documentary Waking the Green Tiger (Gary Marcuse | Canada). Pedacinho de Terra<\/strong> (Little Land, <\/strong>Nikos Dayandas | Gr\u00e9cia) que, com sensibilidade, mostra como uma nova gera\u00e7\u00e3o est\u00e1 procurando uma sa\u00edda sustent\u00e1vel para a crise europeia.
<\/br>\n\nand to More than Honey (Markus Imhoof | Switzerland, German, Austria) that with originality transforms bees into characters, taking us inside a hive, while showing two different worlds: that of the bees and the human world. Mais que Mel<\/strong>, (More than Honey, Markus Imhoof | Su\u00ed\u00e7a, Alemanha e \u00c1ustria) que, com originalidade, transforma abelhas em personagens, leva o espectador para dentro de uma colmeia e discorre sobre dois mundos: o das abelhas e o dos homens.
<\/br>\n\nREDE BRASILEIRA DE JORNALISMO AMBIENTAL AWARD (environmental journalists association) to Unacceptable Levels (Ed Brown | USA) for its journalistic relevance and to documentary Bottled LIfe: Nestle\u2019s Business With Water (Urs Schnell | Switzerland) that with accurate investigative journalism, sets out the interests of \u201cpredators of water,\u201d that exploit this resource in all parts of the planet, endangering the safety of hydric ecosystems, communities, cities and even countries. Limites Inaceit\u00e1veis<\/strong> (Unacceptable Levels, Ed Brown | EUA) – men\u00e7\u00e3o especial, por sua relev\u00e2ncia jornal\u00edstica – e para o document\u00e1rio Vida engarrafada: o Neg\u00f3cio da Nestl\u00e9 com a \u00c1gua<\/strong> (Bottled LIfe: Nestle\u2019s Business With Water, Urs Schnell | Su\u00ed\u00e7a), por retratar o cen\u00e1rio de um neg\u00f3cio internacional que amea\u00e7a o livre acesso a um recurso essencial para a vida no planeta. Sim, existe \u00e1gua fora da garrafa. Ela \u00e9 pura, limpa, refrescante e cristalina e suas nascentes devem se manter acess\u00edveis a todos os seres vivos do planeta.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Programme <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t68 filmes, <\/strong>68 films, including 12 feature length documentaries and 20 shorts in competition and the showcases:
\n\nFrom DDT and Hormones to Food security<\/strong>
\n\nIs it Really Only Fiction?<\/strong>
\n\nPlanet in Distress<\/strong>
\n\nAct and Change<\/strong>
\n\nCarte Blanche National Film Board of Canada<\/strong>
\n\nCool Stories for When the Planet Gets Hot<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Other Activities<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tExhibitions at Espa\u00e7o Comuna of films Surviving Progress, by Mathieu Roy and Harold Crooks (Canada) and Teclopolis, by Anuk Obeid (Argentina), shown at Filmambiente 2012. Sobrevivendo ao Progresso<\/strong> (Surviving Progress), de Mathieu Roy e Harold Crooks (Canad\u00e1) e Tecl\u00f3polis<\/strong> (Teclopolis), de Anuk Obeid (Argentina), exibidos no Filmambiente 2012.
<\/br>\n\nExhibitions at Casa Soul of film Brasil Org\u00e2nico, by L\u00edcia Brancher and K\u00e1tia Klock (Brazil), followed by a workshop on raw food culinary \u201cEcozinha\u201d given by Chef Bernardo Mota. Brasil Org\u00e2nico<\/strong> (Brasil), de L\u00edcia Brancher e K\u00e1tia Klock, seguida da oficina de culin\u00e1ria raw food \u201cEcozinha\u201d ministrada pelo Chef Bernardo Mota.
<\/br>\n\nBernardo, 29, graduated in gastronomy at UNIRIO (2006), specializing at Dra. Ann Wigmore Natural Health Institute, (Puerto Rico, 2009), Natural Gourmet Institute (New York, 2010), Matthew Kenney Raw Food Academy (Oklahoma, 2010), among others.
<\/br>\n\nExhibition of video art series Cool Stories for When the Planet Gets Hot I, II and III.\nThe 3 series were first shown at Art Basel, an important art fair in Switzerland. With curator Anne-Marie Melster presence. Hist\u00f3rias Legais Para Quando o Planeta Ficar Quente I, II <\/strong>e III<\/strong>. As tr\u00eas s\u00e9ries foram exibidas pela primeira vez na Art Basel, importante feira de arte da Su\u00ed\u00e7a – com a presen\u00e7a da curadora Anne-Marie Melster.
<\/br>\n\nDebate on: \u201cAudiovisual as a Transformation tool\u201d. Mediated by documentarist Silvio Da-Rin,with Chris Paine, american director; Lu\u00edz Felipe Guanaes, coordinator of NIMA (Interdisciplinary environment sector at PUC-RJ); Jos\u00e9 Solla, diplomat, Deputy National Secretary of Rio+20; Anne-Marie Melster, german, co-founder and director of ArtPort_making waves.
<\/br>\n\nExhibition at Arena Carioca Chacrinha of Way Beyond Weight, by Estela Renner (Brazil), followed by a Q&A with producer and co-author Marcos Nisti with students from public schools of the region. Muito al\u00e9m do Peso<\/strong>, de Estela Renner (Brasil),\u00a0 seguido de debate com o produtor e co-autor Marcos Nisti. A atividade teve a participa\u00e7\u00e3o de alunos das escolas municipais do entorno da Arena.
<\/br>\n\nExhibition at Nave do Conhecimento at Ecological Park of Madureira of film Way Beyond Weight by Estela Renner (Brazil). Muito al\u00e9m do Peso<\/strong>, de Estela Renner (Brasil).
<\/br>\n\nMovie marathon: a folding bicycle was awarded to the person who was able to watch more films this year.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Venues<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tEspa\u00e7o Ita\u00fa de Cinemas
\nInstituto Moreira Salles
\nCasa Soul
\nEspa\u00e7o Comuna
\nArena Chacrinha
\nNave do Conhecimento Madureira\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Catalog Download<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Sponsors and Partners <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Filmambiente 2013 | 30 Agosto – 5 Setembro | Rio de Janeiro Filmes Premiados PR\u00caMIO DO P\u00daBLICO foi para o filme Os Chef\u00f5es Piraram (Big Boys Gone Bananas, Fredrik Gertten | Canad\u00e1) com a vota\u00e7\u00e3o de 83,78% dos votos para \u00d3timo Filme. MELHOR LONGA-METRAGEM, Vila no Fim do Mundo (Village at the End of the […]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11322","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/comments?post=11322"}],"version-history":[{"count":26,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11322\/revisions"}],"predecessor-version":[{"id":17351,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11322\/revisions\/17351"}],"wp:attachment":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/media?parent=11322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}