{"id":11313,"date":"2021-07-16T16:01:20","date_gmt":"2021-07-16T19:01:20","guid":{"rendered":"http:\/\/filmambiente.com\/?page_id=11313"},"modified":"2023-09-01T09:07:09","modified_gmt":"2023-09-01T12:07:09","slug":"filmambiente-4","status":"publish","type":"page","link":"https:\/\/filmambiente.com\/en\/filmambiente-4\/","title":{"rendered":"Filmambiente 4"},"content":{"rendered":"
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Filmambiente 2014 | 04-10 Setembro | Rio de Janeiro & Porto Alegre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Awards<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tPEOPLE\u2019S CHOICE AWARD to Virunga (Orlando von Einsiedel | United Kingdom) with 79.27% of the votes. Virunga <\/strong>(Virunga, Orlando von Einsiedel | Reino Unido) com 79,27% dos votos.
<\/br>\n\nBEST FEATURE LENGTH to Bidder (George Gage | USA) because he leads us through the story of a character with all the characteristics of the classic hero: a young man willing to make an immense sacrifice for the common good to defend what is right, against a powerful enemy. Thus, it reveals how the courage of an individual became an example of the right to resistance, to civil disobedience, showing inspiration and hope. Bidder<\/strong> (Bidder, George Gage | EUA) pois nos conduz pela hist\u00f3ria de um personagem com todas as caracter\u00edsticas do her\u00f3i cl\u00e1ssico: um jovem disposto a fazer um imenso sacrif\u00edcio pelo bem comum para defender o que \u00e9 certo, contra um inimigo poderoso. Assim revela como a coragem de um indiv\u00edduo se tornou exemplo do direito \u00e0 resist\u00eancia, \u00e0 desobedi\u00eancia civil, semeando inspira\u00e7\u00e3o e esperan\u00e7a.
<\/br>\n\nBEST SHORT FILM went to Tribus (Marcos Pimentel | Brazil). O Barril<\/strong> (The Barrel, Anabel Rodr\u00edguez | Reino Unido, Venezuela, Rep\u00fablica Dominicana) pela originalidade do roteiro e dire\u00e7\u00e3o primorosa que revela um personagem apaixonante em meio \u00e0s contradi\u00e7\u00f5es de uma Venezuela dividida entre as riquezas do petr\u00f3leo e a pobreza da comunidade ribeirinha.
<\/br>\n\nSPECIAL AWARD for the short Faces (Said Najmi | Jordan) for the sensible way it portrays human choices. Sombra da \u00c1rvore<\/strong> (Shadow Tree, Biju Viswanath | Rep\u00fablica da Tanz\u00e2nia), que devolve a esperan\u00e7a ao espectador, mostrando uma amizade improv\u00e1vel.
<\/br>\n\nand to Virunga (Orlando von Einsiedel | United Kingdom) because the film has all the elements of an action film, dramatic, emotional, beautiful. A plot of international intrigue, power play, brutal violence. But it is a true story, which can only be told by the courage of characters who face these forces. We identify with the innocent victims of this conflict - we are the gorillas, we are the Congolese expelled from their land. Payada Pa\u2019 Sat\u00e1n (<\/strong>Carlos Balseiro | Argentina), pois com rigor narrativo e cuidado est\u00e9tico interpreta uma grave quest\u00e3o ambiental a partir do imagin\u00e1rio popular.
<\/br>\n\nSPECIAL AWARD to feature documentary Waking the Green Tiger (Gary Marcuse | Canada). Deserto Verde<\/strong> (Desierto Verde, Ulisses de La Orden | Argentina), por ser um filme despretensioso e simples, como as m\u00e3es que procuram justi\u00e7a e, como elas, tem a imensa beleza de ser correto, honesto e acreditar na organiza\u00e7\u00e3o das pessoas e do conhecimento para fazer a justi\u00e7a prevalecer.
<\/br>\nand to Virunga (Orlando von Einsiedel | United Kingdom) because the film has all the elements of an action film, dramatic, emotional, beautiful. A plot of international intrigue, power play, brutal violence. But it is a true story, which can only be told by the courage of characters who face these forces. We identify with the innocent victims of this conflict - we are the gorillas, we are the Congolese expelled from their land. Virunga <\/strong>(Virunga, Orlando von Einsiedel | Reino Unido), pois o filme tem todos os elementos de um filme de a\u00e7\u00e3o, dram\u00e1tico, emocionante, bonito. Uma trama de intriga internacional, jogo de poder, viol\u00eancia brutal. Mas \u00e9 uma hist\u00f3ria real, que s\u00f3 pode ser contada pela coragem de personagens que enfrentam essas for\u00e7as. Nos identificamos com as v\u00edtimas inocentes desse conflito – n\u00f3s somos os gorilas, n\u00f3s somos os congoleses expulsos de suas terras.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Programme <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t62 Filmes, <\/strong>62 Films, including 8 feature length documentaries and 25 shorts in competition and the showcases:
\n\nCineEco \u2013 20 years<\/strong>, homage to the 20 editions of this festival that takes place at Serra da Estrela, Portugal, with the exhibition of 6 films shown in their previous editions;
\n\nSwiss Films<\/strong>, 5 films of Switzerland recent production on the environment, including 2 fiction films;
\n\nThe Future is Here<\/strong>, with 5 films showing urgent issues, including a French documentary of Belo Monte (Brazilian dam built on indigenous land) and the much awarded Last Ocean, shown with the support of PEW fund and Last Call, Italian film shown and awarded in more than 20 festivals around the world;
\n\nMasters of their Destiny<\/strong>, with 5 films presenting creative solutions found by persons or communities to solve their problems;
\n\nBrazilian Films<\/strong>, with 6 films shown at Naves do Conhecimento de Madureira, Iraj\u00e1, Penha and Bangu.
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Other Activities<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tThe Environment: Thematic and Approach Evolution Panel was coordinated by O Globo journalist and columnist Agostinho Vieira, and to debate these issues, we brought together people who have been working with the environment and sustainability for over twenty years, whether reporting, organizing events, or producing and directing films and videos, such as Cine'Eco director Mario Branquinho and director and producer Paula Saldanha, or studying the economic and social consequences of climate change, such as professor, consultant and economist Sergio Besserman.
<\/br>\n\nA tasting event of finger food cooked with remains collected the same day at Cadeg (producers center) held by the Slow Food Brasil group, after answering questions from the audience about the Italian film The Origin of Slow Food, at Espa\u00e7o Ita\u00fa de Cinema,
<\/br>\n\nMovie Marathon: for the second year, and with the support of partners (a folding bike by Blitz, kits by Farm, 3 eco-friendly Dopper bottles) the movie marathon awarded five persons who were able to watch more movies.
<\/br>\n\nExhibitions at Naves do Conhecimento de Madureira, Iraj\u00e1, Penha and Bangu. \nAt the Penha Nave, teachers of public schools of the region were able to interact with the director of Then and Now, Luiz Adelmo Manzano.
<\/br>\n\nAt Madureira Nave, a representative of the film The Poison is on the Table 2, by Silvio Tendler (Brazil) who participated in a Q&A. O Veneno est\u00e1 na Mesa 2<\/strong> debateu o filme com a plat\u00e9ia.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Venues<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tEspa\u00e7o Ita\u00fa de Cinema
\nInstituto Moreira Salles
\nNaves do Conhecimento de Madureira, Iraj\u00e1, Penha and Bangu
\nCine Santander Cultural, Porto Alegre\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Catalog Download<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Sponsors and Partners <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Filmambiente 2014 | 04-10 Setembro | Rio de Janeiro & Porto Alegre Filmes Premiados PR\u00caMIO DO P\u00daBLICO para Virunga (Virunga, Orlando von Einsiedel | Reino Unido) com 79,27% dos votos. MELHOR LONGA-METRAGEM foi para Bidder (Bidder, George Gage | EUA) pois nos conduz pela hist\u00f3ria de um personagem com todas as caracter\u00edsticas do her\u00f3i cl\u00e1ssico: […]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11313","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/comments?post=11313"}],"version-history":[{"count":27,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11313\/revisions"}],"predecessor-version":[{"id":17348,"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/pages\/11313\/revisions\/17348"}],"wp:attachment":[{"href":"https:\/\/filmambiente.com\/en\/wp-json\/wp\/v2\/media?parent=11313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}